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Post by funbun on Jun 24, 2024 23:49:26 GMT
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Post by pt3r on Jun 25, 2024 6:37:55 GMT
Phazed is something else, very Reich ![(rofl)](//storage.proboards.com/forum/images/smiley/rofl.png) . How many sequencers are you running?
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Post by funbun on Jun 25, 2024 12:27:14 GMT
I run four sequencers: three SEQ16s and one SEQ8, plus a Delay. I also use MULTIFX on resoverb most of the time. Most of this album was on three oscillators, plus Rings into Clouds. It all build to one mass of sound with relatively few components: basically four synth voices going through three effects modules. That gives a sound closer to an ensemble like 18 Musicians or Music for Mallets Instruments, Voices and Organ. Oscillators/Resonator - 2 WAVETABLES most of the time going through low-pass gates
- 1 VCO/SIGNALAMP going to a WAVEFOLDER
- 1 Rings/CIRRUS going to clouds
I prefer using five sound sources, but both my FMOS oscillators are acting weird, and my two VCO aren't tracking very well even with calibration. With the Tiny Tracker module in development I hope to add a couple to the existing sequencer core to better flesh out a complex sequencer. I may eventually add two more row pure as a sequencer/mixer. I need more switches as I discovered with one patch I could patch two sequencers into a switch then have LOGIC trigger the shift between the two via pulse width or something. This way one voice performs more than on line. That was the "Star Like Bars" track. The last track I pressed an FMOS and VCO back into service for some FM on the solo voice. As long as I keep the FMOS working in suboctave mode it's fine. Likewise if I keep the VCO within about two octaves, it does best.
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Post by maydonpoliris on Jun 26, 2024 12:09:17 GMT
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