mathias
Junior Member
Currently tangled in a web of patching cables
Posts: 68
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Post by mathias on Mar 18, 2023 13:20:09 GMT
Title: Resampled sequence
Ingredients: A sequence, something generating triggers, a sample and hold
Recipe: A sequence is provided by ornament and crime ("seq" in the graph view), and resampled using triggers from a looping envelope ("S_H_Gate" in the graph view).
The result ("S_H" in the graph view) is then patched to a voice (here a sawtooth wave from OSC/d to a filter and a VCA ("env" in the graph view)).
Result:
Let me know if you have questions
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Post by chillja on Mar 18, 2023 15:34:14 GMT
I have not tried the looping envelope trick much, so wonder why you choose to use bitwig cv to change the loop duration? Could the same be accomplished with 5v from master through a 2cvtool and then to acv or dcv? Or is it to have it tempo synced..
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mathias
Junior Member
Currently tangled in a web of patching cables
Posts: 68
|
Post by mathias on Mar 18, 2023 16:58:39 GMT
I have not tried the looping envelope trick much, so wonder why you choose to use bitwig cv to change the loop duration? Could the same be accomplished with 5v from master through a 2cvtool and then to acv or dcv? Or is it to have it tempo synced.. Just out of convenience (also not to have my hand in the shot hiding my modular 😉), no tempo syncing needed. You can use any CV source to do so (BTW I might be confused about that but you don't need to send 5v to 2cvtool, the offset knob will do that for you). |
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mathias
Junior Member
Currently tangled in a web of patching cables
Posts: 68
|
Post by mathias on Mar 26, 2023 20:33:36 GMT
I got some new modules including a SEQ8 so I re-shot that video to and tried to make things a bit cleaner and easy to understand
The technique is the same as the one in the first video:
The sequence is provided by seq8 ("Seq" and "Note_Gate" in the graph view for pitch and gates respectively) and resampled using an LFO ("LFO" in the graph view) plugged into an AND logic gate with the seq8 gate ("S_H_Gate" in graph). The result ("S_H" in the graph view) is then patched to a voice (here a mix of sawtooth and pulse waves from OSC/d to a filter and a VCA).
I vary the speed of the LFO along with its pulse width to change the frequency at which the original sequence is sampled which alters the pitches sent to the voice.
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