|
Post by admin on Mar 8, 2022 20:48:14 GMT
I've just taken up investigating the Berna3 Software which duddex pointed to in this post: forum.aemodular.com/post/17009This is not your usual DAW but is a digital recreation of a 1950's music studio like the one hosted by the WDR in Cologne in which Karl-Heinz Stockhausen made many of his compositions. Check out this overview and tutorial: It looks so beautifully made and the approach is very intriguing so I may spend more time with it. For now, my biggest problem is that I don't know anything about musique concrete or the ways in which people like Stockhausen, etc. made their electronic works back in those days of very basic tone generators and tape machines. So I found this video, which analyses Stockhausen's "Gesang der Junglinge", very helpful but also quite daunting. It shows how much work went into this piece... over 900 individual sounds were made, individually recorded and then pieced together by manually slicing and gluing together pieces of tape! Absolutely incredible vision and dedication went into this. If you know more about how to go about producing music in this manner, any book or video resources, please let me know!
|
|
|
Post by duddex on Mar 9, 2022 6:58:28 GMT
First of all I recommend this video from German/French public service channel ARTE. Unfortunately this is probably not available in Australia www.arte.tv/en/videos/098798-000-A/electronic-vibrations/This video contains an interesting part about the "Gesang der Junglinge" with audio examples where Stockhausen directs the boy ("Brilliant! Don't let your teeth touch... That's it! See? We've got to keep checking... Not like this... it sounds strange" etc). Stockhausen knew exactly what he wanted to record. This is a screenshot:
|
|
|
Post by duddex on Mar 9, 2022 7:00:07 GMT
This video shows how DELIA DERBYSHIRE made the DOCTOR WHO theme
|
|
|
Post by admin on Mar 9, 2022 9:30:50 GMT
Thank you so much! I just watched it and it is truly inspiring. BTW the video works just fine here in Australia, even without VPN Cool to see that the studio in Cologne in this video still has those old tone generators which feature in Berna3!
|
|
pol
Wiki Editors
Posts: 1,349
|
Post by pol on Mar 9, 2022 10:34:53 GMT
This video shows how DELIA DERBYSHIRE made the DOCTOR WHO theme She didn't compose it but did one of the first recordings; this is an excellent video for how electronic music was in the 1950s - love the oscillators that are bigger than a modern day PC,
|
|
|
Post by duddex on Mar 9, 2022 15:49:15 GMT
This video shows how DELIA DERBYSHIRE made the DOCTOR WHO theme ... She didn't compose it but did one of the first recordings; this is an excellent video for how electronic music was in the 1950s - love the oscillators that are bigger than a modern day PC, And I love her British accent
|
|
pol
Wiki Editors
Posts: 1,349
|
Post by pol on Mar 9, 2022 16:23:04 GMT
She didn't compose it but did one of the first recordings; this is an excellent video for how electronic music was in the 1950s - love the oscillators that are bigger than a modern day PC, And I love her British accent Not many of us speak like that anymmore!
|
|
|
Post by MikMo on Mar 9, 2022 19:41:43 GMT
First of all I recommend this video from German/French public service channel ARTE. Unfortunately this is probably not available in Australia www.arte.tv/en/videos/098798-000-A/electronic-vibrations/This video contains an interesting part about the "Gesang der Junglinge" with audio examples where Stockhausen directs the boy ("Brilliant! Don't let your teeth touch... That's it! See? We've got to keep checking... Not like this... it sounds strange" etc). Stockhausen knew exactly what he wanted to record. This is a screenshot: <button disabled="" class="c-attachment-insert--linked o-btn--sm">Attachment Deleted</button> I thought i had found most of the interesting documentaries on electronic music. This one i had not sen before. Very interesting.
|
|
|
Post by pt3r on Mar 14, 2022 6:23:25 GMT
This video shows how DELIA DERBYSHIRE made the DOCTOR WHO theme She didn't compose it but did one of the first recordings; this is an excellent video for how electronic music was in the 1950s - love the oscillators that are bigger than a modern day PC, Correction: She should have been credited as co composer but the ol' boys club at beebeecee wanted radioworkshop personnel to remain anonymous. The fact that she did not posses the correct set of chromosomes did not help either, of course. If you watch the interviews in sisters with transistors it is very difficult to ignore the whole patronizing demeanor of the 'jounalists' doing the interview.
|
|