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Post by 101 on May 19, 2021 9:30:03 GMT
Any learned AEM DIY'ers/experts care to enlighten me on the differences. I'm guessing that the Gate has the longest period. How does Trigger vs Clock compare?
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Post by pt3r on May 19, 2021 9:44:00 GMT
A trigger is indeed a high voltage during a short period of time and then returning to zero, a gate is basically a trigger with a longer duration. A clock is just a (ir)regular sequence of triggers. Midi clock for example consists of 96 triggers during the duration of 1 quarter note. So if you send a series of triggers from a squarewave lfo into the midi clock divider module you will see that it's output is much slower than the incoming triggers because the module will count 96 triggers before sending out 1 trigger and/or 3 triplet triggers.
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namke
wonkystuff
electronics and sound, what's not to like?!
Posts: 686
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Post by namke on May 19, 2021 10:22:50 GMT
Just a clarification: Like Roland's 'Din-Sync', MIDI clock messages are sent at a rate of 24 pulses per quarter note (PPQN). Wikipedia has a list of sync-clock frequencies here: en.wikipedia.org/wiki/DIN_sync
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pol
Wiki Editors
Posts: 1,349
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Post by pol on May 20, 2021 11:36:25 GMT
A trigger is indeed a high voltage during a short period of time and then returning to zero, a gate is basically a trigger with a longer duration. A clock is just a (ir)regular sequence of triggers. Midi clock for example consists of 96 triggers during the duration of 1 quarter note. So if you send a series of triggers from a squarewave lfo into the midi clock divider module you will see that it's output is much slower than the incoming triggers because the module will count 96 triggers before sending out 1 trigger and/or 3 triplet triggers. The beat divider module (and other dividers) are great for getting the various clock rates you want for triggering different parts - in the AE the trigger is +5V, 0 volts is no trigger. A trigger is really for percussion, but if you trigger an envelope module then obviously you can generate a CV signal for modulation or anything really! A trigger only becomes a gate by sustaining to my mind, like holding the key down on the keyboard. Some confusion can be caused by the length of the trigger signal being called the gate time, which is adjustable on most arpeggiators, drum machines etc. This can be to make sure you trigger the relevant piece of gear/ sound reliably, but more often to get the musical effect desired from (very) staccato through to legato sound.
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Post by martynaudio on May 24, 2021 9:18:24 GMT
that was a really useful clarification which I'm going to borrow and use for my students, thanks!
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