Post by keurslagerkurt on Feb 8, 2021 17:17:40 GMT
Hey all!
After quite a lot of times of getting 'close to acid' but not quite, I finally found a winning patch! Missing link was my new MS20 filter which really has the extra coloring to bring the 303 vibes in. Also used a freshly build diy compressor that helped color the high end too of the acid lead. Oscillator is a dead simple triangle wave (its acid after all). SEQ8 through Quantizer fixes the pitch, while topograph's third channel fixes the gates. This gives it that weird wobbling pseudo-glide feel that translates very well into the acid. I split the signal in two, one half going straight to the output, the other going through my compressor and to the output. Than i fade both in and out for parts with less or more low end. Oh and they go through the delay module as well.
Now only to get a slew module for some true acid slide mayhem!
Kick is the FMOS with a very short env for the pitch. On top of the kick, there is an extra higher square tone through the wasp, also with a short env on the filter. Gives it just the extra thump to make it knock.
Snare is a bit bland (but i ran out of filters!!!!), just white noise through a vca. In retrospect should have blended in some tone with this one!
'Hihatts' are also controlled by the same gates as the lead, coming from the algodrone through a short decay. I let them go loose in the ending section, giving some more industrial sounds!
Everything through the SVFilter for some small small extra coloring.
After quite a lot of times of getting 'close to acid' but not quite, I finally found a winning patch! Missing link was my new MS20 filter which really has the extra coloring to bring the 303 vibes in. Also used a freshly build diy compressor that helped color the high end too of the acid lead. Oscillator is a dead simple triangle wave (its acid after all). SEQ8 through Quantizer fixes the pitch, while topograph's third channel fixes the gates. This gives it that weird wobbling pseudo-glide feel that translates very well into the acid. I split the signal in two, one half going straight to the output, the other going through my compressor and to the output. Than i fade both in and out for parts with less or more low end. Oh and they go through the delay module as well.
Now only to get a slew module for some true acid slide mayhem!
Kick is the FMOS with a very short env for the pitch. On top of the kick, there is an extra higher square tone through the wasp, also with a short env on the filter. Gives it just the extra thump to make it knock.
Snare is a bit bland (but i ran out of filters!!!!), just white noise through a vca. In retrospect should have blended in some tone with this one!
'Hihatts' are also controlled by the same gates as the lead, coming from the algodrone through a short decay. I let them go loose in the ending section, giving some more industrial sounds!
Everything through the SVFilter for some small small extra coloring.
. I Love the compressor. Nice work. Those squelches ... mmm mmmm.
