Arti - performances

arti I love this piece, it's so musical and varied. It's great to listen to it deeply and trying to discern which instrument makes which sound. It's a bit dangerous because it does trigger a bit of G.A.S. for a Neutron

Another one from me. Working on a Backwards Challenge I've accidently found some cool sounds and during the process I've abbandoned the backward idea in favour of some Techno   It's AEM with Neutron only so rather sparse (gear-wise) according to my usual standards.
Two VCOs voices from AEM providing melodies and rhytmic pattern. Plus one of oscs from 2OSC module was send to Neutron filter and received CV information from SQ1 sequencer via midi. Neutron Filter was modulated by Neutron's own LFO, and it's shape changes were synchronised and triggered with AEM LFO via 4I/O module. This voice sounds beautifuly crazy  - it starts at 1:43

So, to make a long story short:  all the sounds were from AEM vcos/osc, Neutron was used as an elaborated filter station for one of AEM osc controled by SQ1 cv

Dawless live jam as usual

Some nice sounds there, arti, some fast 'n' furious
Could you run through what's doing what, just for the curious...?

Hey, look at me, basking in that glow
Some days, I yearn to be a rhyming pro



What next... Haiku Patch Descriptions...? Now that's an idea...

Haha, Haiku Module maybe robertlanger ?

Here's what's going on: 

It starts with Neutron filter (Neutron oscs were off by putting dummy cable in VCF IN to break prewired connection of the filter with VCOs and just VCF1 output put into VCA in). Neutron recieves the gate signal from SQ1 sequencer via midi with some gates set to off. The filter frequency is modulated by SEQ16 accents output. It makes pitch of the filter go higher in (ir)regular intervals - whenever the SEQ16 accent allign with the SQ1 gate open.

At 00:09 comes the Volca FM, at first occasionaly, then the whole sequence (later transposed two octaves higher).

When the tranposition starts (00:47) Kick and Beats join the party plus Volca Sample(with flute, udu/tabla drum and some other unindentified samples).

00:54- sweeps from Monologe fill the background space

1:20 - all dies out with only Neutron filter and Volca sample holding the ground

1:26 here comes the reinforcement from AEM (finaly) and its melody adorned with Nyle resonance (high bell-like tones)

at 2:14 Kick/Beats combo comes back and Monologue sweeps appear occasionaly

At 2:42 AEM melody starts to gradualy slightly double itself

it's achieved by peculiar combination:

AEM VCO three different waves were sent into various destinations - saw nad triangle went into Nyle, and square went into Wasp, and then into VCA in2. Out2 went into Nyle also,and the Nyle's out went into VCA in1

Now: the VCA CV1 was connected with the envelope receiving it's gate signal from LFO and the SEQ16 accents

The same but inverted ENV controled CV2 signal. Opening the cv2 knob on the VCA kinda doubles the melody

Bell-like CVResonance of the Nyle filter received pulses from LFO but via Beat Divider OUT B set to triplets and then STEP10 with some steps set to off and it's TRIG ouput signal beeing attenuated

Ominous sounds by the AEM in the center of things. VCO receives voltages controlling it's pitch from SEQ16, the other (one of 2OSC) shares the gate with Neutron (via SQ1 midi and Neuton MIDI through output) and it's pitch is controlled by LFO and it's PWM by second osc of 2OSC module. Good to have the possibility to connect second independent sequencer to control AEM! And simultaneously to control it's tempo with one of AEM LFOs. Nyle's resonance and Spring Reverb give some spices to the sound. Some samples added by Volca Sample, flute-like melody by Volca FM. Kick and Beats (with the stutter) do their thing too. 
Check it out, if You want to hear what I fear

Electricity
Surges pregnant with meaning
Wires' poetry




AEM comes in at 1:49 - no osc, just Nyle filter ressonance shaped with SEQ16 cvs and gate via envelope and further processed by Wasp Filter. Nyle has great possibilities, You can play nice melody with ease and the sound is very cool.
I also like Neutron. It starts at 0:21 (triggered by AEM's step10 plus some gates set to slide on SQ1)  - it's lfo shape was moduleated by S&H which results in very cool dynamics - the sounds diverse from long development to short, sometimes abrupt notes which reminds me playing the saxophone 
All my usual gear is also present
Volca FM - gentle bell/glass-like tones at 0:48
Monologue - comes in at 3:16
Kick - simple pattern, pulse-like starts the track
Sample comes in right at the begining at 0:06
Beat - just one bell from time to time - for the first time it can be heard at 0:13-0:14

AEM comes a bit late(around 2:50) despite it was composed as the very first part of this track. It's heavy deleyed/reverbered sequence by wonderful Delay Module combined by Spring Reverb and digital reverb from Behringer Mixer. I realy like it's vibrating, multilayered sound.
AEM's LFO also produces separate clocks - one runs through Beat Divider and Step10 to Neutron via SQ1 and the other (just through Beat Divider) to Monologue & Volcas. 

I like how versatile AEM is - I can have several different sounding voices at once with different timings. Here I've created a piper and piano-like sounds with addition of low drone-like wave. AEM leads the track single-handed untill 0:40 and all it's three voices are used here. Later come the other synths. 

Thanx admin. I don't have Divider (yet) so I mostly use invertred envelopes, Beat Divider often combined with Step10, frequences when the osc is partialy mute, LFOs with different rates, accents from STEP16 as triggers. Sometimes I use gate cv output from SQ1 as a trigger for AEM envelope, when some gates are turned off. Those ideas are used within AEM timing and also as a way to send synced (but different) timings out. If I like to differ timings even more I use internal dividers within Monologue. SQ1, Kick or FM. So there is plenty ways to mess with the clocks still staying in sync. Nevertheless I have a plan to obtain the Divider as it can be used for sound signals. I'm curious what it can do with it

Very enjoyable, arti. I have been re-discovering Michael Rother recently via his boxed set, so this was a most welcome track.

Very enjoyable, arti. Some nice sounds in there.

Hi arti, I'm so happy to be "coming back" from Superbooth and to see that the forum hasn't stopped or slept ... but that there is awesome content added to it .. just like your new song! You really have a knack to fit all your different synths into the mix which find a constant source of inspiration!

Again this song is driving ... I think of a car chase in "Mission Impossible" or something like it.