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Post by spacedog on May 3, 2019 14:27:47 GMT
Well let's go then! Hope it'll work. Everything started with Lugia 's post. I set an LFO to clock the SEQ16 that send CV to the VCO, square wave to WASP then to the Delay and Mixer. The 8th step of the SEQ16 trigger an EG that give CV to VCA. The same LFO is used as the IN of the VCA that control the Mod Input of the VCO. The VCA 2nd Out is set to the CV1 of the WASP. The same LFO is also sent to 2ATT to attenuate the CV2 of the WASP The second part consist of, again, the same LFO that trigger an EG for the NOISE, it is then set to the HP of the Nyle Filter and finally the Mixer. Everything was played live with a bit of reverb from a cheap Alesis Microverb III.
PS: I know you it might be scary to see codfish from this close, I'll try to get rid of that when I'll have a better idea.
Excellent, it worked just fine - and I see that you have your first follower on Soundcloud already  Well done on the music itself as well, very good and it was interesting to read how you created it. |
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Post by admin on May 4, 2019 2:28:52 GMT
A great track moruial! May I ask how you control the noise? It seems you dial it in and out manually? |
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Post by moruial on May 4, 2019 6:04:12 GMT
Thank you Carek. I do play with the noise manualy indeed. As said there is an Envelope Generator send ton a VCA that controle the Noise. I simply play with the decay of the EG. Without any decay the noise sound a bit like a beat, but if you open it just a tiny bit it sounds like a snare.
At the begenin there the noise is set to 0 volume on the mixer, I then start to increase the volume.
I hve to admit that mixing throught a computer isn't what I want to do, so I try to do as much as live as I can, with mistakes and all that, I think that learning from my own mistakes is the best way to improve.
Hope I answer your question  |
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Post by moruial on May 9, 2019 6:57:00 GMT
As superbooth is running now, I'm thinking about upgrading my AEM by the addition if some New modules, well After I'll know what they do and if they might be usefull to me.
The "problem" IS that my case is soon to be full. (6U left).
So I was wondering about a New case and un particular the little thingy that Links cases together. On the shop it seems that they need a hole or something to fix them on the case.
Do they need a special case or any will do?
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bahm
Full Member
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Post by bahm on May 9, 2019 7:12:21 GMT
Do they need a special case or any will do? Anything I know is there is an old and a new case version. I have the new one, you can see how it works on this site if you scroll down to "New Rack Cases" TW Blog
And yes there are holes with threads in them. I don't know the older ones. |
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Post by moruial on May 9, 2019 7:31:10 GMT
Many thanks !
I have to admit I wasn't curious enough to scroll that down.
Definetly got ans older case then. I'll find how to sort my way out 😊
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Post by spacedog on May 9, 2019 8:46:43 GMT
Many thanks ! I have to admit I wasn't curious enough to scroll that down. Definetly got ans older case then. I'll find how to sort my way out 😊 I have an "old" two-row and a "new" one-row. I don't see a way of retro-fitting the connectors, I'm afraid. Not least because I have an R2 MASTER so the 9V socket is in the way. Also be aware that with an "old" case you will need a RACKLINK kit to connect up. It fits nicely into the leftmost position of a "new" rack, using the new connections in there. It is awkward with things changing, but we are pioneers and I am sure I will just keep expanding anyway... and more things will change. At some point I will build something to hold my system more upright, connecting the "old" and the "new". Although I like the idea of building racks that I switch in and out. |
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Post by moruial on May 9, 2019 9:55:51 GMT
I have an "old" two-row and a "new" one-row. I don't see a way of retro-fitting the connectors, I'm afraid. Not least because I have an R2 MASTER so the 9V socket is in the way. Also be aware that with an "old" case you will need a RACKLINK kit to connect up. It fits nicely into the leftmost position of a "new" rack, using the new connections in there. It is awkward with things changing, but we are pioneers and I am sure I will just keep expanding anyway... and more things will change. At some point I will build something to hold my system more upright, connecting the "old" and the "new". Although I like the idea of building racks that I switch in and out. That what I thought, bah nevermind I think for now my 6U are enough, in the future I might expend, and that "future" smells not that far away haha!
When I first heard about modular I wanted to build mine as I have quiet a lot of spare time and not the founds to buy modules, so I build myself a big wooden case for big modules. Well at that time I got crazy about Look Mum No Computer and thought it was a nice idea to jump in. In the meantime, the box is unused and I've done no modules at all because of lots of electronic supply needed... The case is waaaay to big for the AEM, as I think 4 standard 2Row rack will fit in it, but if Robert goes crazy with the modules, who knows, a big ass wall made of AEM sound appealing!  |
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pol
Wiki Editors
Posts: 1,349
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Post by pol on May 9, 2019 20:40:23 GMT
Well let's go then! Hope it'll work.
Everything started with Lugia 's post. I set an LFO to clock the SEQ16 that send CV to the VCO, square wave to WASP then to the Delay and Mixer. The 8th step of the SEQ16 trigger an EG that give CV to VCA. The same LFO is used as the IN of the VCA that control the Mod Input of the VCO. The VCA 2nd Out is set to the CV1 of the WASP. The same LFO is also sent to 2ATT to attenuate the CV2 of the WASP The second part consist of, again, the same LFO that trigger an EG for the NOISE, it is then set to the HP of the Nyle Filter and finally the Mixer.
Everything was played live with a bit of reverb from a cheap Alesis Microverb III.
PS: I know you it might be scary to see codfish from this close, I'll try to get rid of that when I'll have a better idea.
Good first patch, have fun entering the rabbit hole.... |
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Post by moruial on May 22, 2019 11:27:18 GMT
Ideas Ideas... I need new ideas.
Each time I play with the AEM, I start a new patch each time to force me to try out new things and new ways to creat sound. "Sadly" everytime I try to do something, it always end up more or less the same. But today i'd like to try something with a diffrent approach.
There are some modules in my rack I don't use much, it need to change. The BEAT Divider, 2S&H, STEP10 and the LOGIC modules are the ones i'd like to use more.
Any fun and nice ideas how to creat a fun patch with those? (doesn't mean I want to use them all at once, bu who knows  ) |
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pol
Wiki Editors
Posts: 1,349
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Post by pol on Jun 2, 2019 14:13:04 GMT
Ideas Ideas... I need new ideas.
Each time I play with the AEM, I start a new patch each time to force me to try out new things and new ways to creat sound. "Sadly" everytime I try to do something, it always end up more or less the same. But today i'd like to try something with a diffrent approach.
There are some modules in my rack I don't use much, it need to change. The BEAT Divider, 2S&H, STEP10 and the LOGIC modules are the ones i'd like to use more.
Any fun and nice ideas how to creat a fun patch with those? (doesn't mean I want to use them all at once, bu who knows ) I use the step 10 a lot, to create variation that is in time with the main tempo but not in 4,8 or 16 steps, so changes each time through the 4/4 bar... I'm quite boring with the beat divider in that I use it to take the midi clock down to something more usable, but good fun to move whilst it's running... I use the logic, 3VC Switch and, to a lesser degree, the divider to create asymmetric modulation/variation, triggering envelopes, changing LFO speed or Filter cutoff (the latter usually via one of the attenuation modules). These are all things you can spend hours twiddling with, and wanting more modules for.... |
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